THE WRITING OF THE BODY AND THE BODY OF THE WRITING: REFLECTIONS ON CORPORAL FORMS OF ARTISTIC EXPRESSION IN LITERATURE AND CINEMA

Detalhes bibliográficos
Autor(a) principal: Tiezzi, Ricardo
Data de Publicação: 2024
Outros Autores: De Thomaz, Daniel
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18965
Resumo: This article seeks to reflect on the presence of the body in literature, with some reverberations in cinema. In general, we do not ask ourselves about the participation of the body in the creative act of writing. Writing tends to be perceived as a reflexive and even spiritual act, still leaving in the shadows what writing can have of sensorial, organic flow rather than mental matter. In a first moment, we establish the dichotomy between expression via logical thought or via pulsional body in two characters: the musician Johnny, from the short story The Stalker, by Cortázar, and the stray son André, from Raduan's Lavoura Arcaica. These fictional bodies serve us as analogies for the same dichotomy subsumed in the act of writing. Thus, we bring two authors who have thought about this issue: Gilles Deleuze and José Gil. We intend that this article may suggest paths to be explored and, who knows, imagine new forms of writing.
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spelling THE WRITING OF THE BODY AND THE BODY OF THE WRITING: REFLECTIONS ON CORPORAL FORMS OF ARTISTIC EXPRESSION IN LITERATURE AND CINEMAA ESCRITA DO CORPO E O CORPO DA ESCRITA: REFLEXÕES SOBRE FORMAS CORPORAIS DE EXPRESSÃO ARTÍSTICA NA LITERATURA E NO CINEMAbodyliteraturecinemawritingexpressioncuerpoliteraturacineescrituraexpresióncorpoliteraturacinemaescritaexpressãoThis article seeks to reflect on the presence of the body in literature, with some reverberations in cinema. In general, we do not ask ourselves about the participation of the body in the creative act of writing. Writing tends to be perceived as a reflexive and even spiritual act, still leaving in the shadows what writing can have of sensorial, organic flow rather than mental matter. In a first moment, we establish the dichotomy between expression via logical thought or via pulsional body in two characters: the musician Johnny, from the short story The Stalker, by Cortázar, and the stray son André, from Raduan's Lavoura Arcaica. These fictional bodies serve us as analogies for the same dichotomy subsumed in the act of writing. Thus, we bring two authors who have thought about this issue: Gilles Deleuze and José Gil. We intend that this article may suggest paths to be explored and, who knows, imagine new forms of writing.Este artículo pretende reflexionar sobre la presencia del cuerpo en la literatura, con algunas reverberaciones en el cine. En general, no nos interrogamos sobre la participación del cuerpo en el acto creativo de la escritura. La escritura tiende a ser percibida como un acto reflexivo e incluso espiritual, dejando aún en la sombra lo que la escritura puede tener de sensorial, de flujo orgánico más que de materia mental. En un primer momento, establecemos la dicotomía entre expresión vía pensamiento lógico o vía cuerpo pulsional en dos personajes: el músico Johnny, del cuento O Perseguidor, de Cortázar, y el hijo descarriado André, de Lavoura Arcaica, de Raduan. Estos cuerpos de ficción nos sirven de analogía para la misma dicotomía subsumida en el acto de escribir. Así, traemos a dos autores que han reflexionado sobre esta cuestión: Gilles Deleuze y José Gil. Pretendemos que el artículo pueda sugerir caminos a explorar y, quién sabe, imaginar nuevas formas de escritura.Este artigo busca refletir sobre a presença do corpo na literatura, com algumas reverberações no cinema. Em geral, não nos interrogamos sobre a participação do corpo no ato criativo da escrita. Escrever tende a ser percebido como um ato reflexivo e mesmo espiritual, deixando ainda à sombra o que a escrita pode ter de sensorial, de fluxo orgânico em vez de matéria mental. Em um primeiro momento, estabelecemos a dicotomia entre a expressão via pensamento lógico ou via corpo pulsional em dois personagens: o músico Johnny, do conto O Perseguidor, de Cortázar, e o filho desgarrado André, da Lavoura Arcaica de Raduan. Esses corpos ficcionais nos servem como analogia para a mesma dicotomia subsumida no ato de escrita. Assim, trazemos dois autores que pensaram essa questão: Gilles Deleuze e José Gil. Intentamos que o artigo possa sugerir vias a serem exploradas e, quem sabe, imaginar novas formas de escrita.Universidade do Sul de Santa Catarina2024-03-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1896510.59306/rcc.v18e22023%pRevista Crítica Cultural; v. 18 n. 2 (2023); 261-2681980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18965/19171Copyright (c) 2024 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessTiezzi, RicardoDe Thomaz, Daniel2024-03-12T19:15:53Zoai:portaldeperiodicos.animaeducacao.com.br:article/18965Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2024-03-12T19:15:53Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv THE WRITING OF THE BODY AND THE BODY OF THE WRITING: REFLECTIONS ON CORPORAL FORMS OF ARTISTIC EXPRESSION IN LITERATURE AND CINEMA
A ESCRITA DO CORPO E O CORPO DA ESCRITA: REFLEXÕES SOBRE FORMAS CORPORAIS DE EXPRESSÃO ARTÍSTICA NA LITERATURA E NO CINEMA
title THE WRITING OF THE BODY AND THE BODY OF THE WRITING: REFLECTIONS ON CORPORAL FORMS OF ARTISTIC EXPRESSION IN LITERATURE AND CINEMA
spellingShingle THE WRITING OF THE BODY AND THE BODY OF THE WRITING: REFLECTIONS ON CORPORAL FORMS OF ARTISTIC EXPRESSION IN LITERATURE AND CINEMA
Tiezzi, Ricardo
body
literature
cinema
writing
expression
cuerpo
literatura
cine
escritura
expresión
corpo
literatura
cinema
escrita
expressão
title_short THE WRITING OF THE BODY AND THE BODY OF THE WRITING: REFLECTIONS ON CORPORAL FORMS OF ARTISTIC EXPRESSION IN LITERATURE AND CINEMA
title_full THE WRITING OF THE BODY AND THE BODY OF THE WRITING: REFLECTIONS ON CORPORAL FORMS OF ARTISTIC EXPRESSION IN LITERATURE AND CINEMA
title_fullStr THE WRITING OF THE BODY AND THE BODY OF THE WRITING: REFLECTIONS ON CORPORAL FORMS OF ARTISTIC EXPRESSION IN LITERATURE AND CINEMA
title_full_unstemmed THE WRITING OF THE BODY AND THE BODY OF THE WRITING: REFLECTIONS ON CORPORAL FORMS OF ARTISTIC EXPRESSION IN LITERATURE AND CINEMA
title_sort THE WRITING OF THE BODY AND THE BODY OF THE WRITING: REFLECTIONS ON CORPORAL FORMS OF ARTISTIC EXPRESSION IN LITERATURE AND CINEMA
author Tiezzi, Ricardo
author_facet Tiezzi, Ricardo
De Thomaz, Daniel
author_role author
author2 De Thomaz, Daniel
author2_role author
dc.contributor.author.fl_str_mv Tiezzi, Ricardo
De Thomaz, Daniel
dc.subject.por.fl_str_mv body
literature
cinema
writing
expression
cuerpo
literatura
cine
escritura
expresión
corpo
literatura
cinema
escrita
expressão
topic body
literature
cinema
writing
expression
cuerpo
literatura
cine
escritura
expresión
corpo
literatura
cinema
escrita
expressão
description This article seeks to reflect on the presence of the body in literature, with some reverberations in cinema. In general, we do not ask ourselves about the participation of the body in the creative act of writing. Writing tends to be perceived as a reflexive and even spiritual act, still leaving in the shadows what writing can have of sensorial, organic flow rather than mental matter. In a first moment, we establish the dichotomy between expression via logical thought or via pulsional body in two characters: the musician Johnny, from the short story The Stalker, by Cortázar, and the stray son André, from Raduan's Lavoura Arcaica. These fictional bodies serve us as analogies for the same dichotomy subsumed in the act of writing. Thus, we bring two authors who have thought about this issue: Gilles Deleuze and José Gil. We intend that this article may suggest paths to be explored and, who knows, imagine new forms of writing.
publishDate 2024
dc.date.none.fl_str_mv 2024-03-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18965
10.59306/rcc.v18e22023%p
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18965
identifier_str_mv 10.59306/rcc.v18e22023%p
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/18965/19171
dc.rights.driver.fl_str_mv Copyright (c) 2024 Revista Crítica Cultural
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Revista Crítica Cultural
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 18 n. 2 (2023); 261-268
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
_version_ 1800220551385448448

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